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Born: April 19, 1933
Died: June 29, 1967
Vera Jayne Palmer visited Hollywood for
the first time when she was thirteen. After a tour of Twentieth
Century Fox Studios, she and her mother went to the Brown
Derby for lunch. Jayne spotted The Great Gildersleeve radio
stars Dennis Day and Harold Peary, and asked for their autographs.
"You know Mama," she said when she returned, "one day some
other young girl is going to make her way across this room
and ask for my autograph."
Jayne's desire to become a star was not ignited that day;
the trip only fanned flames that had always burned within
her. Her parents, Herbert and Vera, were witness to her enthusiastic
performances at an early age. When she was five, Jayne was
singing for anyone who would listen, including her gigantic
collection of stuffed animals. At seven, she would stand in
her driveway and play the violin for passers-by. Though her
idols changed over the years- from Shirley Temple to Gene
Tierney, Hedy Lamarr, and Jean
Harlow- they were always movie stars.
A naïve and trusting child, Jayne's innocence often resulted
in touching anecdotes. Once, Jayne's Sunday school teacher
told the children that God was always with them. That night,
Jayne fell out of bed several times "making room for God."
When Jayne learned that a family living down the street had
fallen on hard times, she helped them out in whatever way
possible. Disturbed because their little girl had no winter
coat, Jayne traded her jacket to the girl in exchange for
an old baby bottle. Jayne's parents were upset, but she never
regretted the trade.
Though Jayne's kind heart enabled her to touch the lives of
many, it made her extremely vulnerable. When she was three,
her father died suddenly. That morning, at a physical, he
was declared healthy, but several hours later he had a heart
attack. Jayne, who had been a daddy's girl, was stunned. "Something
went out of my life," she said. Years later, she remembered
how she would sit on his lap while he stroked her long curly
hair. "My earliest memories are the best. I always try to
remember the good times when Daddy was alive."
Fortunately, Vera was able to support the family by working
as a school teacher. Not long afterward, she met and married
Harry "Tex" Peers, and they decided to move from Phillipsburg,
New Jersey to Dallas. Jayne was fond of Harry, a firm but
loving man, and appreciated the discipline he brought as they
became a "family" again. Harry also cultivated Jayne's love
for barbecuing. Outgoing and personable, Jayne would invite
anyone to join their weekly barbecues. Years later, on their
custom-built double pink marble-topped barbecue, she and husband
Mickey Hargitay cooked for the entire San Francisco Giants
baseball team.
At a party on Christmas Eve, 1949, Jayne met Paul Mansfield.
Handsome and studious, Paul treated Jayne with genuine respect.
They fell in love, and were married on January 28. After a
difficult labor, Jayne Marie Mansfield was born on November
8, 1950. Well aware of his wife's Hollywood ambitions, Paul
thought becoming a mother would distract her. He was wrong.
Though she was thrilled with the birth of her daughter, Jayne
had not faltered in her dream to become a star. The war in
North Korea started, and Paul had to leave for Army reserve
duty. Before leaving, he relented and promised her that when
it was over, the family would move to Hollywood. Two years
later, the Mansfield family started out for California. Paul
would stay only four months. They divorced and he went back
to Dallas. Nonetheless, Jayne kept the name Mansfield because
she thought it sounded illustrious.
Jayne flourished in Hollywood. She took a job at a movie theater
but was soon accepting work as a model. Gene Lester, a well-known
photographer, recalled her first professional shoot for General
Electric. "Jayne was one of the girls I used. She was way
over to the left side of the picture. General Electric notified
me that they had to cut her out of the picture because she
looked too sexy for 1954 viewers."
Hollywood publicity agent Jim Byron saw her potential. "Jayne
had a star quality," he said. "She was very much like a raw
gem." During Christmas, they decided Jayne would visit newspapers
and provide the overworked reporters with cheer-in the form
of a spirited hug and kiss. Her appearances were a hit, and
Jayne's picture was in newspapers all over the country. For
Byron's next big event, he got Jayne a ticket to a press event
in Florida for the RKO Pictures release of "Underwater,"
starring Jane Russell. On the plane, she was seated next to
Daily Variety reporter Joe Schoenfeld. He found her
so delightful that the following day their conversation consumed
his column. Later, in a red bikini, it became obvious to everyone
that she had control of the spotlight. Headlines from that
weekend announced, "Jayne Out-Points Jane." That same year,
after starring in the Broadway hit "Will Success Spoil Rock
Hunter," the headlines read, "Jayne Signs Studio Contract
With Fox."
Jayne was on her way to becoming a celebrity when she attended
a Mae West performance at the Latin Quarter. After the show,
Jayne was also on her way to falling in love-with 1956 Mr.
Universe Mickey Hargitay, who was working as one of Mae's
musclemen in the show. As their relationship developed, Mae
became irate at the loss of Mickey's affections, and called
a press conference where she ordered him to denounce his relationship
with Jayne. Her plan backfired. Instead of reading the scripted
statement, Mickey said, "Jaynie and I are very much in love,
and we have seriously discussed marriage plans in the future."
On January 13, 1958, amid family, friends and a flurry of
press in Palos Verdes, California, the pair married. Theirs
was very much a storybook love, of which Jayne later said,
"We were into something so beautiful. Mickey and I had a grasp
of life that most people never know anything about." Both
Jayne and Mickey loved children, and were ecstatic each time
Jayne became pregnant. The couple had three children together,
Micklos, Zoltan and Mariska, whom they regularly brought on
location for performances. "We take our children everywhere
we go," she said in a Star Weekly magazine interview.
"I don't believe in having them and then leaving them to someone
else to bring up."
Meanwhile, Jayne's career had continued to prosper. In 1956,
she starred in "The Girl Can't Help It," a successful film
that satisfied the public's demand for anything rock and roll
related. The musical talent of Little Richard, Gene Vincent
and the Blue Caps, Fats Domino, The Platters and Julie London
accompanied Jayne and her co-stars, Tom Ewell and Edmond O'Brien.
When she earned the lead in "The Wayward Bus," based on John
Steinbeck's best-selling novel, Jayne captured the persona
of her character and the critics took notice. Next, Jayne
took her Broadway role as Rita Marlowe to the big screen in
the film version of "Will Success Spoil Rock Hunter?" Once
again, "Rock Hunter" was a success, and so was Jayne. Fox
then placed her in "Kiss Them For Me" alongside Cary Grant,
whom she found to be "one of the most marvelous men I've ever
met." During this time she purchased a Mediterranean style
mansion on Sunset Boulevard. In keeping with her distinct
decorative taste, the mansion would soon become known as "The
Pink Palace."
Before she left to film "The Sheriff of Fractured Jaw"
in England, Jayne and her family spent four weeks in Las Vegas.
She had been asked to appear in nightly performance at the
Tropicana, where she sang, danced and joked with the audience,
and could not refuse the offer of $25,000 a week. Jayne loved
being able to personally interact with her fans, and the Tropicana
loved the crowd she drew. Her performance brought in a packed
house every night. It was the beginning of a long-standing,
highly successful nightclub career for Jayne. Several years
later she returned to Las Vegas, this time at the Dunes Hotel,
where her weekly salary was raised to $35,000. Though she
began touring with her act, Jayne's stage performances were
not limited to nightclubs. She renewed her involvement in
the theater, most notably in an acclaimed production of "Bus
Stop." "As the chanteuse being abducted by the lonesome
cowboy, Miss Mansfield can hardly help stealing scenes," said
a critic. "But oft times the scenes are earned rather than
stolen.it turns out the lady is endowed with a comedic talent."
She also dabbled in television, with cameo appearances on
"The Alfred Hitchcock Hour," "Jack Benny Program,"
"Burke's Law" and "The Steve Allen Show." Ultimately,
Jayne juggled a career that encompassed almost every media
facet. Unfortunately, as so often happens in Hollywood, Jayne
and Mickey's relationship had become strained. They decided
to divorce in August 1964, but always remained good friends.
In 1967, Jayne's life was still moving at full speed. "I will
never be satisfied," she said in an interview. "Life is one
constant search for betterment for me." Her time was split
between a Southern nightclub tour and the production of "Single
Room, Furnished," a drama that would become her last film.
"Furnished" was directed by Matt Cimber, who Jayne met
on the set of "Bus Stop" and later married. On June 29,
Jayne was riding in front with Ronnie Harrison and lawyer
Sam Brody on the way from a Mississippi nightclub engagement.
Her children, Mickey Jr., Zoltan and Mariska sat in the back.
As they rounded a curve on a dark stretch of road, the car
slammed into a slowed semi. Though the children survived with
minor injuries, everyone sitting in the front was killed instantly.
The world was stunned. Jayne's personality was so vibrant,
her career so vivacious, that it was impossible to believe
she was gone. At 34, she had already earned a special place
in the hearts of millions, and with her death came a deep
void that will never be filled.
Jayne was laid to rest in Fairview Cemetary in Pen Argyl,
Pennsylvania. There is also a centograph dedicated to her
in the Hollywood Forever Memorial Park in Hollywood, California.
To read more about Jayne Mansfield, click on the links below
to order!
Jayne
Mansfield
Sexbomb
: The Life and Death of Jayne Mansfield
Stars,
Stars, Stars: Off the Screen
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